Stereoscopic images.
The idea behind stereoscopic images is that they
convey three dimensional information to your brain - the
usual way of doing this being sending a different image
to each eye. Ideally, the distance between where the
original images were taken should in some way reflect the
real distance between your eyes - around 60 to 70mm - but
here, we have the capability to make things that are very
small or very large also appear in 3D by using small or
large distances respectively.
There are a number of ways of doing this, one of them
putting the images side by side and letting the viewer
aim and focus each eye on each image. If you click on the
image below, a new browser window will open up with the
larger images in it. For the red/cyan image, you will
need a set of red/green or red/cyan filtered glasses.
To view this type of stereogram, you
need to cross your eyes so that the images overlap each
other. With them overlapped, you need to get them in
focus. Another thing you will notice is that as you look
at objects within the image that are at different
apparent distances from you, your eyes will try to
refocus. This is because you are looking at an image that
has a varying plane of convergence (as in: 'real life')
but a fixed plane of focus (as in: 'looking at a flat
image'). Your eyes, since birth, have been programmed by
experience to change their focus according to their
convergence and you are now telling them to do something
different all of a sudden.
One thing that you will notice if you get too close,
is that it will become fairly uncomfortable to view as
you push your eyes further away from their limits. We can
overcome this to some extent by having the images on top
of each other. This can be achieved in the cinema or on a
slide show by projecting the images (through two
polarising filters) onto a silvered screen and making the
audience wear polarised glasses. So as to preclude some
getting the glasses on back to front, the polarisation is
done at +45 degrees and -45 degrees so that they can be
put on back to front (they are only made of card) without
any consequences (if set to 0 and 90 degrees, each lens
would be tied to a specific image and therefore it would
be possible to put them on the wrong way). Unfortunately,
polarisation is beyond the printed page and VDUs so
another plastic glasses method is used, sacrificing some
of the colour information.
If we take our left and right images and remove some
of the colours so that the image for the left eye is only
in red and the one for the right eye is only in cyan (ie
had all of the red removed) then we have two images that
can be channelled to each eye thus:
If we then combine them additively, we
get a composite - again, click on the image to open up a
new browser window with the image in it:
One thing you will notice is that
whilst there is clearly still colour information there,
objects that reflect colours that appear only in one eye
are uncomfortable to view. The less saturated colours are
better because they go through into both eyes - the NEC
and Utimaco stands are such examples.
One distinct advantage of this method is that the
images can be larger and as the sharpness of the third
dimension depends upon size, that is better (think of the
lateral displacement in pixels between the front and the
back of an image. If it was +16 to -16 pixels, that would
be a total of 33 whole-pixel positions in the z axis. If
you made the image half the size, it would only be 17
positions. Whilst the viewer can compensate for a smaller
image to some extent by getting in closer, there are
still only so many pixels and therefore only so much
resolution on the z axis to go at.
The ultimate in desaturation is greyscale so if we
desaturate both images, colourize them and then
superimpose them, we can get a true 3D image at the
complete loss of colour.
I told you something had to go but at
least it is comfortable to look at.
Just to show you that it can be done in colour -
although you do have to pick your subject matter - here
is a colour, red/cyan stereogram of Derby's central
library. Click on the image to see a larger version of
the full colour stereo pair:
and, the red/cyan colour pair.
There are many other 3D methods
available and a quick look on www.google.com ,
searching for stereograms and how they work
will show some more methods.
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